James reviews Canon’s last professional 35mm film SLR camera, the Canon EOS 1V. It’s nearly perfect, and surprisingly priced.
read moreThere’s a whole new generation of would-be film photographers who want to explore their creative side by shooting film. In this article we’re answering the first question that most new shooters ask – Which camera should I buy?
read moreAn instant camera from NONS which is now funding on Kickstarter will allow photographers to create sharpness and bokeh on Instax Square film with Canon EF, M42, Nikon F, Pentax K, and Contax/Yashica mount lenses.
read moreAfter seven years of shooting classic cameras, we’ve compiled our list of the ten best electronic SLRs of all time.
read moreJames reviews the Canon AV-1, a camera that’s often described as “a Canon AE-1 with aperture priority mode.”
read moreJosh reviews the fantastic and fragile Nikon FA, that company’s most advanced manual focus SLR 35mm film camera.
read moreJames reviews the Nikon FE2, one of the best manual focus 35mm film cameras with aperture priority semi-auto mode.
read moreMinolta’s final pro-spec swan song is one of the most advanced SLRs ever made, and more than Connor needs in a camera.
read moreJeb evaluates the current film camera market, and offers some great alternatives to over-priced (over-hyped) models.
read moreSroyon reviews the humble Minolta X-370s, and argues that this bargain-priced 35mm film SLR is perfect for beginners (or anyone, really).
read moreAfter seven years of shooting classic cameras, we’ve compiled our list of the ten best mechanical SLRs (plus three honorable mentions).
read moreThe Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreThe first medium format SLR camera that Rollei produced, the Rolleiflex SL66, is one of the more interesting cameras I’ve ever shot.
read moreJames shot the Pentax 67 in 2016 and 2018, and was less than impressed. In 2020 he tries again. Here’s the review.
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