Drew shoots, compares, and muses over Portra 400 VC and Portra 160 NC, two formerly-loved and famously dead films from Kodak.
read moreCharlotte remembers her first experiences with Ilford XP2 Super, the most accessible way to shoot black-and-white film today.
read moreI shot a roll of Konica VX200 on a blisteringly hot and exceptionally windy beach. I had a virus-induced sickness. I nearly died. Here are some photos from that roll.
read moreCharlotte shoots some wild color film and tells us all about it in this rainbow-flavored writeup.
read moreFor my thirteenth birthday I was given a Canon Sureshot 105 Zoom camera and a booklet explaining, among other things, how to load the film, frame a photo correctly, and shoot without getting your fingers…
read moreRemember that girlfriend or boyfriend from your youth? That really special person that you still find yourself dreaming about long after you’ve gone your separate ways? That’s how I feel about Polaroid Chocolate 100 film.…
read moreThe German language lost one of its best ambassadors when Bruno Ganz died earlier this year. The Swiss actor was a mainstay on both stage and screen, with more than a hundred credits to his…
read moreI’m on top of the mountain Kehlstein in Obersalzburg, Germany. Nestled about thirty minutes west of Salzburg and fifteen minutes east of the more famous Berchtesgaden, Obersalzburg has the dubious legacy of being the Alpine…
read moreThe magnitude of Kodak successfully rereleasing a film like Ektachrome is huge. It’s also a milestone that, frankly, many of us never thought possible. When the staff here at CP first heard whispers of an…
read morePart One It’s 3:45 PM. The sound of steady rain falling outside the cafe is getting tiresome. It shouldn’t be raining today, or at least not right now. I was counting on it, for the…
read moreKodak Professional T-Max 100 is my current favorite film. I’ve said the same in the past of Fujifilm’s Superia 1600 and Ferrania’s P30, two lovely emulsions that I love to shoot. But the former is…
read moreThe simplest, most cost-effective way to jazz up one’s film photography is to spring for a new film stock. Sure, you could seek a rare lens or a unique body, but nothing beats the ease…
read moreI’m going to talk about Fujifilm’s Fujicolor Pro 400H, Fuji’s pro-level color negative film. I really am. But I’ve got to get something off my chest first. I really don’t like being the “get off…
read moreReaders of the site often ask us for film recommendations, so we thought it would be helpful to publish a quick guide to each brand’s film stocks. Keep in mind that these are only brief…
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