Aaron reviews the Plaubel Makina 67, a medium format rangefinder film camera with a beautiful, fixed Nikkor lens.
read moreDave’s first medium format camera was the Yashica A. Three years later, he tells us why it was a great first camera – and then some.
read moreJeb evaluates the current film camera market, and offers some great alternatives to over-priced (over-hyped) models.
read moreConnor rescues and reviews a Zeiss Ikon Nettar, a medium format folding camera that had been destined for the parts bin.
read moreCheyenne reviews a high-quality, affordable, and classic medium format folding film camera, the Franka Solida II-R.
read moreThe first medium format SLR camera that Rollei produced, the Rolleiflex SL66, is one of the more interesting cameras I’ve ever shot.
read moreJames shot the Pentax 67 in 2016 and 2018, and was less than impressed. In 2020 he tries again. Here’s the review.
read moreCraig (sort of) reviews the Lomography Diana F+, a lo-fi medium format point and shoot camera for 120 film.
read moreThe Rondinax 35 Daylight Development Tank simplifies the process of processing film, allowing us to load and dev in the light!
read moreThe Yashica-mat was Yashica’s original premier twin lens reflex (TLR) camera from the 1950s. It was a great camera, and remains very interesting today.
read moreSome of the CP writers pick the camera they’d buy if practicality and money were no concern! See what we chose, and let us know your Holy Grail camera in the comments.
read moreNegative Lab Pro is a Lightroom plugin that simplifies the conversion of raw film scans into digitized files. We review and interview NLP’s creator here.
read moreConnor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.
read moreJames finds a forty to fifty year old roll of Kodak Plus X black and white film and shoots it one afternoon with his dog, kids, and the ocean.
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