James reviews the Nikon FE2, one of the best manual focus 35mm film cameras with aperture priority semi-auto mode.
read moreMinolta’s final pro-spec swan song is one of the most advanced SLRs ever made, and more than Connor needs in a camera.
read moreJeb evaluates the current film camera market, and offers some great alternatives to over-priced (over-hyped) models.
read moreSroyon reviews the humble Minolta X-370s, and argues that this bargain-priced 35mm film SLR is perfect for beginners (or anyone, really).
read moreAfter seven years of shooting classic cameras, we’ve compiled our list of the ten best mechanical SLRs (plus three honorable mentions).
read moreThe Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreThe first medium format SLR camera that Rollei produced, the Rolleiflex SL66, is one of the more interesting cameras I’ve ever shot.
read moreJames shot the Pentax 67 in 2016 and 2018, and was less than impressed. In 2020 he tries again. Here’s the review.
read moreThe Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.
read moreNicholas Clayton reviews the Leicaflex SL, Leitz’ second attempt at making a pro-quality 35mm film SLR camera.
read moreJosh reviews the half-frame 35mm Olympus Pen FT in this review that’s much more than just another camera review.
read moreIt’s 1987. Kyocera designers ask one simple question. “Can we fit a camera inside a taco shell?” And the Yashica Samurai was born.
read moreA guest post from a friend of the site pits the Nikon F4 against the Nikon F5, and questions whether cameras are only tools, or something more.
read moreThe Canon AE-1 Program will make great photos easily, for any level of photographer. But it may be the best choice, specifically, for new photographers.
read more
