A long term user review of the Nikon F5, Nikon’s first modern, pro-spec, auto-focus 35mm film SLR.
read moreJames reviews the Rollei SL35M, a basic 35mm film SLR camera from the 1970s, and tells what makes it special in today’s digital world.
read moreHere’s a fast rundown of why you may want to consider an Olympus Pen F, FT, or FV as an alternative to the point and shoot camera.
read moreSroyon reviews the Ihagee Exa, an early 35mm film SLR camera with plenty of weird quirks (and a nice suite of lenses!).
read moreAllysse reviews the Minolta SRT 303, a simple and effective 35mm film camera that’s suitable for those looking to learn.
read moreJim Graves profiles another great 35mm SLR camera for beginner film photographers – the Minolta Dynax 500Si Super.
read moreJames reviews Canon’s last professional 35mm film SLR camera, the Canon EOS 1V. It’s nearly perfect, and surprisingly priced.
read moreThere’s a whole new generation of would-be film photographers who want to explore their creative side by shooting film. In this article we’re answering the first question that most new shooters ask – Which camera should I buy?
read moreAn instant camera from NONS which is now funding on Kickstarter will allow photographers to create sharpness and bokeh on Instax Square film with Canon EF, M42, Nikon F, Pentax K, and Contax/Yashica mount lenses.
read moreAfter seven years of shooting classic cameras, we’ve compiled our list of the ten best electronic SLRs of all time.
read moreJames reviews the Canon AV-1, a camera that’s often described as “a Canon AE-1 with aperture priority mode.”
read moreJosh reviews the fantastic and fragile Nikon FA, that company’s most advanced manual focus SLR 35mm film camera.
read moreJames reviews the Nikon FE2, one of the best manual focus 35mm film cameras with aperture priority semi-auto mode.
read moreMinolta’s final pro-spec swan song is one of the most advanced SLRs ever made, and more than Connor needs in a camera.
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