Nicholas Clayton reviews the Leicaflex SL, Leitz’ second attempt at making a pro-quality 35mm film SLR camera.
read moreThe Rondinax 35 Daylight Development Tank simplifies the process of processing film, allowing us to load and dev in the light!
read moreDrew explores the “level up cuture” of photography through his journey to (and then away from) large format photography with a Linhof 4×5 film camera.
read moreThe Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.
read moreWe review Leica’s first digital rangefinder camera, the Leica M8, and see how this fourteen-year-old camera holds up today.
read moreSome of the CP writers pick the camera they’d buy if practicality and money were no concern! See what we chose, and let us know your Holy Grail camera in the comments.
read moreOur man in Berlin, Jeb, shoots some Lomography 110 film through the Agfa Agfamatic 2008 Pocket Sensor, a compact 110 film camera.
read moreKodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.
read moreCheyenne reviews his favorite vintage lens, the Schneider Kreuznach Super Xenar 50mm F/2.8 in M42 mount. Sample sand Buyer’s Guide inside.
read moreAn all-star lineup of camera likers pick their favorite lenses, including JCH, Hamish of 35mmc, and many more. Plus, we want to know your favorite lens!
read moreHamish Gill of 35mmc steps out of his rangefinder comfort zone and shoots the Leica R6.2. Here’s his review of this paradoxical SLR.
read moreJames examines the Leica R8 of 1996, the first 35mm film SLR camera designed by Leica since 1974.
read moreJames muses over his search for the perfect camera, what he calls the “Leica M of SLRs.”
read moreJames spends six months with and then reviews an ultra wide angle lens for the Leica SLR system, the Leitz 21mm F/4 Super Angulon R.
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