Thoughts on why the Mamiya 6 may be the perfect film camera for travel after a tour of a handful of America’s National Parks.
read moreConnor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.
read moreDrew’s first foray into medium format came by way of the Mamiya 645 1000s on the rocky New England shores of Midcoast Maine.
read moreJames reviews the Fuji G617, a wide-field camera that exposes massive 6×17 centimeter images on medium format film!
read moreWe update our list of the best medium format cameras for those photographers just starting medium format in 2019.
read moreAfter years of wanting one and sixty days of shooting one, Jeb relates his thoughts on and experiences with the Pentacon Six.
read moreWith capability enabling it to span the globe and beyond, the Hasselblad 500 series is a special series of camera. As comfortable in the hands of elite fashion photographers as it is with astronauts on…
read moreI’d forgive you if you’re not familiar with our Desert Island Cameras feature. It’s been exactly six months since the last installment, after all. Blame the editor. Now let’s get you up to speed. Our Desert Island…
read moreQuentin Tarantino’s The Hateful Eight is an oddity. A film that blends classic elements of old-timey westerns with modern sensibilities, it’s an unusual throwback. Perhaps most unusually, Hateful Eight was shot on 70mm film, an…
read moreI like things to be small, light, and simple, and these preferences apply equally to nearly any product. My favorite car since the close of the Second World War is the original Golf GTI, and…
read moreEurope in 1945 was not a great place for manufacturing, yet it was there and in that moment in history during which a small, Dutch company successfully manufactured and sold some of the most beautiful…
read moreHow many times have we heard the tired cliché, “If it ain’t broken, don’t fix it.”? Often it’s uttered in reaction to some change with which the bereaved doesn’t agree. And just as often, businesses…
read moreIn 1976, Rollei released the SLX, a fully electronic medium format SLR to compete with Hasselblad’s famous machines. With a built-in light meter, automatic motor advance, and shutter-priority auto-exposure, it was in many ways a…
read moreA too-familiar plastic camera appeared in my friend’s hands after rummaging through his junk box. “I wasted too many rolls of film with this,” he said. “I figure you’ll be able to get something out…
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