Medium Format

On the Road with the Mamiya 6

2560 1440 Cory Miller

Thoughts on why the Mamiya 6 may be the perfect film camera for travel after a tour of a handful of America’s National Parks.

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Fujica GM670 Review – the Ideal Handheld 6×7

2560 1440 Connor Brustofski

Connor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.

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Shooting Coastal Maine with a Mamiya 645 and Kodak Film

2560 1707 Drew Chambers

Drew’s first foray into medium format came by way of the Mamiya 645 1000s on the rocky New England shores of Midcoast Maine.

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Fujifilm Panorama G617 Professional Camera Review

2800 1575 James Tocchio

James reviews the Fuji G617, a wide-field camera that exposes massive 6×17 centimeter images on medium format film!

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Five Best Medium Format Cameras for Beginners in 2019

1600 800 Josh Solomon

We update our list of the best medium format cameras for those photographers just starting medium format in 2019.

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Sixty Days and Counting with a Pentacon Six

1968 1476 Jeb Inge

After years of wanting one and sixty days of shooting one, Jeb relates his thoughts on and experiences with the Pentacon Six.

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An Overview of the Hasselblad 500 Series (V System)

2400 1350 Aaron Stennett

With capability enabling it to span the globe and beyond, the Hasselblad 500 series is a special series of camera. As comfortable in the hands of elite fashion photographers as it is with astronauts on…

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Desert Island Cameras No. 08 – Medium Format Edition

2800 1575 James Tocchio

I’d forgive you if you’re not familiar with our Desert Island Cameras feature. It’s been exactly six months since the last installment, after all. Blame the editor. Now let’s get you up to speed. Our Desert Island…

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Why Every Photographer Should Try Medium Format

2000 1333 Chris Cushing

Quentin Tarantino’s The Hateful Eight is an oddity. A film that blends classic elements of old-timey westerns with modern sensibilities, it’s an unusual throwback. Perhaps most unusually, Hateful Eight was shot on 70mm film, an…

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The Mamiya Press Camera – With Great Weight Comes Great Versatility

2200 1238 Chris Cushing

I like things to be small, light, and simple, and these preferences apply equally to nearly any product. My favorite car since the close of the Second World War is the original Golf GTI, and…

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Tahbes Synchro and Synchrona – an In-Depth Look at the Machines of an Obscure Dutch Camera Company

2200 1237 James Tocchio

Europe in 1945 was not a great place for manufacturing, yet it was there and in that moment in history during which a small, Dutch company successfully manufactured and sold some of the most beautiful…

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We Shoot the Kiev 60 TTL, a Medium Format Monster from the Soviet Union

1970 1108 Jeb Inge

How many times have we heard the tired cliché, “If it ain’t broken, don’t fix it.”? Often it’s uttered in reaction to some change with which the bereaved doesn’t agree. And just as often, businesses…

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Rollei 6008 Professional Medium Format SLR Camera Review

2000 1125 James Tocchio

In 1976, Rollei released the SLX, a fully electronic medium format SLR to compete with Hasselblad’s famous machines. With a built-in light meter, automatic motor advance, and shutter-priority auto-exposure, it was in many ways a…

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Holga Medium Format Camera Review – Still Worth It, or Total Cliché?

2000 1125 Josh Solomon

A too-familiar plastic camera appeared in my friend’s hands after rummaging through his junk box. “I wasted too many rolls of film with this,” he said. “I figure you’ll be able to get something out…

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