The Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreThe first medium format SLR camera that Rollei produced, the Rolleiflex SL66, is one of the more interesting cameras I’ve ever shot.
read moreHemant revisits a childhood friend, the Canon Prima Zoom 76, and offers some thoughts on the inexpensive 35mm film point and shoot camera.
read moreJames shot the Pentax 67 in 2016 and 2018, and was less than impressed. In 2020 he tries again. Here’s the review.
read moreThe Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.
read moreThe Sigma SD Quattro is an odd and interesting mirrorless digital camera with a seriously unique feature – a 29MP Foveon sensor.
read moreOur review of the Fujifilm X100V, Fuji’s newest mirrorless compact, from the perspective of those who appreciate classic cameras.
read moreCraig (sort of) reviews the Lomography Diana F+, a lo-fi medium format point and shoot camera for 120 film.
read moreJeb reviews the Minolta Hi-Matic AF2, a 35mm point and shoot film camera from the dawn of the autofocus era.
read moreNicholas Clayton reviews the Leicaflex SL, Leitz’ second attempt at making a pro-quality 35mm film SLR camera.
read moreJosh reviews the half-frame 35mm Olympus Pen FT in this review that’s much more than just another camera review.
read moreConnor reviews the oddball Samsung ECX-1, a Porsche-designed point and shoot 35mm film camera from the mid-1990s.
read moreThe Sony a6000 debuted in 2014, and quickly became Sony’s best-selling camera. Six years later, they still sell it new! Here’s our review.
read moreEverything we need to know about the Sawyer’s Mark IV, a tiny twin lens reflex, Japanese Rolleiflex killer – by Cheyenne Morrison.
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