Leah takes us on another journey, this time to Wisconsin in winter, where she makes a project of shooting trees (no matter the cost to her socks).
read moreIn the small fishing town of Klitmøller, Denmark there is a phenomenon called havgus, unfathomably dense sea fog. Here it is, shot on film.
read moreJames shoots an expired, twenty-year-old roll of Kodak Supra 100, an ultra-fine grain, high saturation color negative film.
read moreKodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.
read moreOur own Jeb Inge visits sunny Lisbon, Portugal with a Minolta SRT 303b film camera and Kodak’s most vibrant film, Kodak Ektar 100.
read moreDrew shoots, compares, and muses over Portra 400 VC and Portra 160 NC, two formerly-loved and famously dead films from Kodak.
read moreEquipped with a Kodak Retina and Ektar film, Connor explores the camera’s ancestral home of Rochester, New York, Kodak’s world headquarters.
read moreAfter years of wanting one and sixty days of shooting one, Jeb relates his thoughts on and experiences with the Pentacon Six.
read moreOur hype-free review of the Fujifilm Klasse, a “premium” point and shoot 35mm film camera popular with the Instagram film community.
read moreA brief history of 127 film, an overview of the cameras that shoot it, and whether or not shooting them is worth the trouble today.
read moreThe German language is many things. It can be stubborn, demanding, exacting and rigid. It can also be strangely elegant and beautiful. Easy, it is not. It’s spoken in three countries, and its dozens of…
read moreFor my thirteenth birthday I was given a Canon Sureshot 105 Zoom camera and a booklet explaining, among other things, how to load the film, frame a photo correctly, and shoot without getting your fingers…
read moreThe magnitude of Kodak successfully rereleasing a film like Ektachrome is huge. It’s also a milestone that, frankly, many of us never thought possible. When the staff here at CP first heard whispers of an…
read moreKodak Professional T-Max 100 is my current favorite film. I’ve said the same in the past of Fujifilm’s Superia 1600 and Ferrania’s P30, two lovely emulsions that I love to shoot. But the former is…
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