Hemant brings a Nikon FM2n and a roll of Kodak Portra 160 along on a boat ride through an Indian national park.
read moreJoe shares some gorgeous photos of a Porsche 911 mountain climb, shot with his Nikon FM3a, and muses over the meaning of aesthetics.
read moreSroyon reviews the unusual Kodak Eastman 2366, an ultra-low ISO film that’s particularly sensitive to blue light.
read moreNow that the dust has settled, Jeb shares a few of his thoughts on the discontinuation of Fuji Pro 400H.
read moreCharlotte shares her wintery day shooting the seaside with her Pentax LX and Kosmo Foto Mono black-and-white film.
read moreSroyon reviews the humble Minolta X-370s, and argues that this bargain-priced 35mm film SLR is perfect for beginners (or anyone, really).
read moreEric reviews the Konica C35 FD (known in export markets as the Konica Auto S3), a compact rangefinder film camera with a legendary lens.
read moreAidan shoots Cinestill 800T in the daylight, and finds an interesting look from this tungsten-balanced high speed film.
read moreThe Rondinax 35 Daylight Development Tank simplifies the process of processing film, allowing us to load and dev in the light!
read moreCharlotte shoots Pride with the Pentax LX and Revolog Kolor film, an experimental color negative rainbow splashed 35mm film!
read moreToday’s article spotlights Catarina Milhais Reis, a photographer whose vision and talent shares with us the light and color of Portugal.
read moreNegative Lab Pro is a Lightroom plugin that simplifies the conversion of raw film scans into digitized files. We review and interview NLP’s creator here.
read moreCharlotte remembers her first experiences with Ilford XP2 Super, the most accessible way to shoot black-and-white film today.
read moreThis story starts with a fall, a broken tooth, and a wet photographer. Learn from our mistakes.
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