The Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreThe first medium format SLR camera that Rollei produced, the Rolleiflex SL66, is one of the more interesting cameras I’ve ever shot.
read moreThe Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.
read moreJeb reviews the Minolta Hi-Matic AF2, a 35mm point and shoot film camera from the dawn of the autofocus era.
read moreThe Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.
read moreA guest post from a friend of the site pits the Nikon F4 against the Nikon F5, and questions whether cameras are only tools, or something more.
read moreOur man in Berlin, Jeb, shoots some Lomography 110 film through the Agfa Agfamatic 2008 Pocket Sensor, a compact 110 film camera.
read moreThe Canon AE-1 Program will make great photos easily, for any level of photographer. But it may be the best choice, specifically, for new photographers.
read moreKodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.
read moreHow can a film camera change your digital photography for the better? Craig tells his story, and offers advice for those seeking a film/digital workflow.
read moreDrew reviews the Contax 167MT, a full-featured 35mm film SLR from the glory days of the Japanese-made Contax cameras.
read moreThe weatherproof, sand and dust resistant Chinon Splash is so surprisingly excellent that it may be James’ sleeper point and shoot of the year!
read moreJames reviews the Canon MC, a point and shoot 35mm film camera from 1984 that’s all style and very little substance to today’s shooter.
read moreCheyenne reviews the Bolsey Model C, a unique 35mm film camera that’s both a rangefinder camera and a twin lens reflex camera!
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