Camera

Canon AE-1 Program vs AE-1 – Camera Review

2995 1684 James Tocchio

If it ain’t broken, don’t fix it. A good philosophy, and one that Canon kept in mind when designing the follow-up to their massively successful AE-1 SLR. After five years of that machine’s unprecedented sales…

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Minolta’s MD 50mm F/1.4 Might Be The Ultimate Standard Legacy Lens

2448 1632 James Tocchio

Along with the runaway success of today’s mirrorless digital cameras, another segment of the photo gear market has seen a big rise. And while the products in question are neither new nor novel, they’re essential…

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Leica Minilux – Camera Review

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There are few cameras that elicit the kind of lustful ogling as those made by Leica. For many photophiles, Leica’s machines are the holy grail of cameras. And for many devoted followers, Leica is a…

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Kodak BW400CN – Film Profile

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We’re back with another film profile to help you decide which film is right for you. In the past we’ve profiled two Kodak films that are still being produced today; the smooth-as-silk Kodak Ektar 100, and the invitingly…

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The Ultimate Camera Battery Compendium

150 150 James Tocchio

We field a lot of questions here at CP. Whether they come by way of post comments, our online shop, our social networks, or via direct message, there’s a never-ending supply of inquisitive photo-geeks seeking…

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5 Best Point and Shoot Film Cameras – Part 2

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A while back, we published a rather popular list of some of our favorite point-and-shoot film cameras. We made it pretty clear that our list was just a small sampling of the amazing machines out there. Even…

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Olympus Zuiko Auto-W 28mm F/2.8 – Lens Review

2560 1440 James Tocchio

We’re back with another lens review, and this time we’re taking a look at a sleeper lens from Olympus. The OM-System Zuiko Auto-W 28mm F/2.8 doesn’t look like much on paper, but its fun-factor, price,…

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Minolta X-700 – Camera Review

2560 1440 James Tocchio

I’ve long been a fan of Minolta’s cameras and lenses. The boys and girls working in Osaka were always among the most innovative, forward-thinking, and truly exceptional camera-makers. And while they had their share of…

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Exploded Views – Olympus OM2

2560 1440 James Tocchio

We’re back with another Exploded View, and this time we’ve dissected a fan-favorite SLR. It’s Olympus’ OM-2, one of the smallest and most technologically advanced cameras of the film era. When we reviewed the OM-2 we were impressed by…

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Nikon Nikkor 105mm F/2.5 – Nikon’s Most Famous Portrait Lens

2200 1238 James Tocchio

We’re back with another noteworthy lens, and this one’s a real legend for Nikon photographers of a certain age. If you were shooting film during the 1960s or in any of the subsequent three decades,…

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Zeiss Ikon Contina II (524/24) – Camera Review

2560 1440 James Tocchio

When shooting vintage cameras there exists something of a sweet spot- a kind of “Goldilocks zone” that only a certain number of cameras occupy. For most photo geeks, a camera needs to be old enough to have…

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What is Depth of Field (DOF)

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We’re back with more photography tips to help new (and experienced) shooters better understand this fantastic hobby of ours. In the past we’ve covered things like ISO, zone focusing, and cross-processing, and today we’re taking a look…

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Kodak Portra 400 – Film Profile

2560 1439 James Tocchio

There’s no such thing as a “perfect” film. Let’s just get that out of the way. Every shooter has different tastes regarding tone, color, grain, etc., but if ever a film could manage to be…

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Nikon N8008 / F-801 – Camera Review

5994 3370 James Tocchio

Shooting classic cameras often brings compromise. Sometimes your camera lacks auto-focus, other times it’s got no light meter, or maybe your camera can’t auto-expose. I love old cameras, but occasionally the continual compromise makes me…

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