35mm

Agfa Optima 1035 Sensor Review
2000 1125 Connor Brustofski

Two years and four countries after he first shot it, Connor realizes that the Agfa Optima 1035 Sensor is his ideal everyday camera.

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  • Connor Brustofski
  • 20

Konica C35 FD / Konica Auto S3 Review
2000 1125 Eric Charles Jones

Eric reviews the Konica C35 FD (known in export markets as the Konica Auto S3), a compact rangefinder film camera with a legendary lens.

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  • Eric Charles Jones
  • 8

How to Expose Both Sides of 35mm Film to Create Stunning Images – Video
2000 1125 James Tocchio

In this video feature, Dave Carulli shows us how to expose both sides of a roll of 35mm film to create stunning images.

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Battle of the Fujifilm 800s – Venus versus Superia X-Tra
2000 1125 Charlotte Davis

Charlotte compares Fujifilm Superia X-Tra 800 to Fujifilm Venus 800, two discontinued high speed color films (available in limited supply).

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  • Charlotte Davis
  • 9

Who Knows What the Future Holds – Olympus AZ-4 / Ricoh Mirai Review
1800 1012 Connor Brustofski

The Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.

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  • Connor Brustofski
  • 8

Contax’s Last Hurrah – My Journey with the Contax N1
1800 1012 Eric Charles Jones

The Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.

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  • Eric Charles Jones
  • 9

Breaking Rules with Cinestill 800 T in Daylight
1800 1013 Aidan Bell

Aidan shoots Cinestill 800T in the daylight, and finds an interesting look from this tungsten-balanced high speed film.

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  • Aidan Bell
  • 7

Nikon PC-Nikkor 35mm f/2.8 – the First 35mm Perspective Control (Shift) Lens
1800 1012 Yuan Oliver Jin

Oliver reviews the Nikon PC-Nikkor 35mm f/2.8, a highly specialized shift lens for landscapes and cityscapes.

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Voigtländer Vitessa 1000 SR Review – A Modernist Oddity
1800 1012 Nicholas Herrmann

The Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.

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  • Nicholas Herrmann
  • 5

I Understand Why the Yashica Samurai Failed
1800 1013 Connor Brustofski

It’s 1987. Kyocera designers ask one simple question. “Can we fit a camera inside a taco shell?” And the Yashica Samurai was born.

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  • Connor Brustofski
  • 11

Shooting a Twenty-Year-Old Roll of Kodak Supra 100 Film
1800 1012 James Tocchio

James shoots an expired, twenty-year-old roll of Kodak Supra 100, an ultra-fine grain, high saturation color negative film.

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Nikon F4 versus Nikon F5 and the Camera as a Tool
1800 1013 Jarrod Hills

A guest post from a friend of the site pits the Nikon F4 against the Nikon F5, and questions whether cameras are only tools, or something more.

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  • Jarrod Hills
  • 23

Finding Stillness at Acadia National Park with a Kodak Retina and Kodak Film
1809 1018 Connor Brustofski

Kodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.

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  • Connor Brustofski
  • 11

Contax 167MT Camera Review
2100 1181 Drew Chambers

Drew reviews the Contax 167MT, a full-featured 35mm film SLR from the glory days of the Japanese-made Contax cameras.

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  • Drew Chambers
  • 22