35mm

Graflex Graphic 35 Review – Made for These Pages
2000 1125 James Tocchio

James reviews the Graflex Graphic 35, a compact and affordable 35mm film rangefinder camera, the kind of camera for which this site was made.

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Shooting My First Roll of Kodak Portra 160
2000 1125 Hemant Chatterji

Hemant brings a Nikon FM2n and a roll of Kodak Portra 160 along on a boat ride through an Indian national park.

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  • Hemant Chatterji
  • 30

A Belated and Lukewarm Take on the Discontinuation of Fuji Pro 400H
3000 1688 Jeb Inge

Now that the dust has settled, Jeb shares a few of his thoughts on the discontinuation of Fuji Pro 400H.

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Agfa Optima 1035 Sensor Review
2000 1125 Connor Brustofski

Two years and four countries after he first shot it, Connor realizes that the Agfa Optima 1035 Sensor is his ideal everyday camera.

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  • Connor Brustofski
  • 33

Konica C35 FD / Konica Auto S3 Review
2000 1125 Eric Charles Jones

Eric reviews the Konica C35 FD (known in export markets as the Konica Auto S3), a compact rangefinder film camera with a legendary lens.

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  • Eric Charles Jones
  • 12

How to Expose Both Sides of 35mm Film to Create Stunning Images – Video
2000 1125 James Tocchio

In this video feature, Dave Carulli shows us how to expose both sides of a roll of 35mm film to create stunning images.

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Battle of the Fujifilm 800s – Venus versus Superia X-Tra
2000 1125 Charlotte Davis

Charlotte compares Fujifilm Superia X-Tra 800 to Fujifilm Venus 800, two discontinued high speed color films (available in limited supply).

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  • Charlotte Davis
  • 14

Who Knows What the Future Holds – Olympus AZ-4 / Ricoh Mirai Review
1800 1012 Connor Brustofski

The Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.

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  • Connor Brustofski
  • 9

Contax’s Last Hurrah – My Journey with the Contax N1
1800 1012 Eric Charles Jones

The Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.

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  • Eric Charles Jones
  • 11

Breaking Rules with Cinestill 800 T in Daylight
1800 1013 Aidan Bell

Aidan shoots Cinestill 800T in the daylight, and finds an interesting look from this tungsten-balanced high speed film.

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  • Aidan Bell
  • 7

Nikon PC-Nikkor 35mm f/2.8 – the First 35mm Perspective Control (Shift) Lens
1800 1012 Yuan Oliver Jin

Oliver reviews the Nikon PC-Nikkor 35mm f/2.8, a highly specialized shift lens for landscapes and cityscapes.

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Voigtländer Vitessa 1000 SR Review – A Modernist Oddity
1800 1012 Nicholas Herrmann

The Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.

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  • Nicholas Herrmann
  • 6

I Understand Why the Yashica Samurai Failed
1800 1013 Connor Brustofski

It’s 1987. Kyocera designers ask one simple question. “Can we fit a camera inside a taco shell?” And the Yashica Samurai was born.

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  • Connor Brustofski
  • 11

Shooting a Twenty-Year-Old Roll of Kodak Supra 100 Film
1800 1012 James Tocchio

James shoots an expired, twenty-year-old roll of Kodak Supra 100, an ultra-fine grain, high saturation color negative film.

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