Charlotte compares Fujifilm Superia X-Tra 800 to Fujifilm Venus 800, two discontinued high speed color films (available in limited supply).
read moreThe Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreThe Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.
read moreAidan shoots Cinestill 800T in the daylight, and finds an interesting look from this tungsten-balanced high speed film.
read moreOliver reviews the Nikon PC-Nikkor 35mm f/2.8, a highly specialized shift lens for landscapes and cityscapes.
read moreThe Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.
read moreIt’s 1987. Kyocera designers ask one simple question. “Can we fit a camera inside a taco shell?” And the Yashica Samurai was born.
read moreJames shoots an expired, twenty-year-old roll of Kodak Supra 100, an ultra-fine grain, high saturation color negative film.
read moreA guest post from a friend of the site pits the Nikon F4 against the Nikon F5, and questions whether cameras are only tools, or something more.
read moreKodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.
read moreDrew reviews the Contax 167MT, a full-featured 35mm film SLR from the glory days of the Japanese-made Contax cameras.
read moreJosh dives into the history of Nikon’s first succesful amateur SLR camera, with details by model and which you should buy today.
read moreJames reviews the Canon MC, a point and shoot 35mm film camera from 1984 that’s all style and very little substance to today’s shooter.
read moreJames examines the Leica R8 of 1996, the first 35mm film SLR camera designed by Leica since 1974.
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