Hemant brings a Nikon FM2n and a roll of Kodak Portra 160 along on a boat ride through an Indian national park.
read moreNow that the dust has settled, Jeb shares a few of his thoughts on the discontinuation of Fuji Pro 400H.
read moreTwo years and four countries after he first shot it, Connor realizes that the Agfa Optima 1035 Sensor is his ideal everyday camera.
read moreEric reviews the Konica C35 FD (known in export markets as the Konica Auto S3), a compact rangefinder film camera with a legendary lens.
read moreIn this video feature, Dave Carulli shows us how to expose both sides of a roll of 35mm film to create stunning images.
read moreCharlotte compares Fujifilm Superia X-Tra 800 to Fujifilm Venus 800, two discontinued high speed color films (available in limited supply).
read moreThe Olympus AZ-4 and the Ricoh Mirai are not great cameras. But they’ve meant more to me than I ever thought a lump of plastic could.
read moreThe Contax N1 was the final professional-level 35mm film camera to ever bear the Contax name. Here’s our review.
read moreAidan shoots Cinestill 800T in the daylight, and finds an interesting look from this tungsten-balanced high speed film.
read moreOliver reviews the Nikon PC-Nikkor 35mm f/2.8, a highly specialized shift lens for landscapes and cityscapes.
read moreThe Voigtlander Vitessa 1000 SR is the least common and least known model in the Vitessa range. Here’s our review of this striking looking camera.
read moreIt’s 1987. Kyocera designers ask one simple question. “Can we fit a camera inside a taco shell?” And the Yashica Samurai was born.
read moreJames shoots an expired, twenty-year-old roll of Kodak Supra 100, an ultra-fine grain, high saturation color negative film.
read moreA guest post from a friend of the site pits the Nikon F4 against the Nikon F5, and questions whether cameras are only tools, or something more.
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