120 Film

Kodak Reflex II Review – A Rollei Competitor at a Tenth the Price?
2000 1125 Juliet Schwab

Juliet reviews the Kodak Reflex II, a contemporary of the Rollei TLR which makes beautiful photos at a tenth the price.

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  • Juliet Schwab
  • 12

The Rolleiflex Old Standard – the First Rollei to Shoot 120 Film
2000 1125 Juliet Schwab

Juliet reviews the Rolleiflex Old Standard, the first Rolleiflex TLR film camera to use standard medium format film.

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  • Juliet Schwab
  • 7

Plaubel Makina 67 Review
2000 1125 Aaron Stennett

Aaron reviews the Plaubel Makina 67, a medium format rangefinder film camera with a beautiful, fixed Nikkor lens.

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The Yashica A as a First Medium Format Camera (And Beyond)
2000 1125 Dave Carulli

Dave’s first medium format camera was the Yashica A. Three years later, he tells us why it was a great first camera – and then some.

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  • Dave Carulli
  • 16

Rescuing a Zeiss Ikon Nettar from the Trash
2000 1125 Connor Brustofski

Connor rescues and reviews a Zeiss Ikon Nettar, a medium format folding camera that had been destined for the parts bin.

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  • Connor Brustofski
  • 18

Franka Solida II-R – Shooting a Classic 120 Folding Camera from 1959 
1920 1080 Cheyenne Morrison

Cheyenne reviews a high-quality, affordable, and classic medium format folding film camera, the Franka Solida II-R.

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Rolleiflex SL66 Camera Review
1800 1012 James Tocchio

The first medium format SLR camera that Rollei produced, the Rolleiflex SL66, is one of the more interesting cameras I’ve ever shot.

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My Experiences with Kodak Ektar 100
1800 1013 Aidan Bell

I’ve always sought to try something new almost every couple of weeks to keep photography interesting. With digital photography, something “new” was usually expensive gear, or a strange technique, or a new lens. When I…

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  • Aidan Bell
  • 10

A Sort Of Review of the Lomography Diana F+
1388 781 Craig Sinclair

Craig (sort of) reviews the Lomography Diana F+, a lo-fi medium format point and shoot camera for 120 film.

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  • Craig Sinclair
  • 14

Fujica GM670 Review – the Ideal Handheld 6×7
2560 1440 Connor Brustofski

Connor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.

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  • Connor Brustofski
  • 22

Fujifilm Fujicolor Pro 400H Film Profile
3000 1688 Josh Solomon

I’m going to talk about Fujifilm’s Fujicolor Pro 400H, Fuji’s pro-level color negative film. I really am. But I’ve got to get something off my chest first. I really don’t like being the “get off…

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Rollei RPX 400 Black and White Film Profile – Is It Worth a Shot?
2200 1238 Dustin Vaughn-Luma

In a vast sea of similarly-specced black-and-white mid-speed films, finding a stock that speaks the right language can be frustrating. This is especially true for those of us who develop our own film. The seemingly…

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  • Dustin Vaughn-Luma
  • 15

Why Every Photographer Should Try Medium Format
2000 1333 Chris Cushing

Quentin Tarantino’s The Hateful Eight is an oddity. A film that blends classic elements of old-timey westerns with modern sensibilities, it’s an unusual throwback. Perhaps most unusually, Hateful Eight was shot on 70mm film, an…

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The Mamiya Press Camera – With Great Weight Comes Great Versatility
2200 1238 Chris Cushing

I like things to be small, light, and simple, and these preferences apply equally to nearly any product. My favorite car since the close of the Second World War is the original Golf GTI, and…

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