120 Film

Fujica GM670 Review – the Ideal Handheld 6×7
2560 1440 Connor Brustofski

Connor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.

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  • Connor Brustofski
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Fujifilm Fujicolor Pro 400H Film Profile
3000 1688 Josh Solomon

I’m going to talk about Fujifilm’s Fujicolor Pro 400H, Fuji’s pro-level color negative film. I really am. But I’ve got to get something off my chest first. I really don’t like being the “get off…

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Rollei RPX 400 Black and White Film Profile – Is It Worth a Shot?
2200 1238 Dustin Vaughn-Luma

In a vast sea of similarly-specced black-and-white mid-speed films, finding a stock that speaks the right language can be frustrating. This is especially true for those of us who develop our own film. The seemingly…

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  • Dustin Vaughn-Luma
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Why Every Photographer Should Try Medium Format
2000 1333 Chris Cushing

Quentin Tarantino’s The Hateful Eight is an oddity. A film that blends classic elements of old-timey westerns with modern sensibilities, it’s an unusual throwback. Perhaps most unusually, Hateful Eight was shot on 70mm film, an…

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The Mamiya Press Camera – With Great Weight Comes Great Versatility
2200 1238 Chris Cushing

I like things to be small, light, and simple, and these preferences apply equally to nearly any product. My favorite car since the close of the Second World War is the original Golf GTI, and…

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Tahbes Synchro and Synchrona – an In-Depth Look at the Machines of an Obscure Dutch Camera Company
2200 1237 James Tocchio

Europe in 1945 was not a great place for manufacturing, yet it was there and in that moment in history during which a small, Dutch company successfully manufactured and sold some of the most beautiful…

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We Shoot the Kiev 60 TTL, a Medium Format Monster from the Soviet Union
1970 1108 Jeb Inge

How many times have we heard the tired cliché, “If it ain’t broken, don’t fix it.”? Often it’s uttered in reaction to some change with which the bereaved doesn’t agree. And just as often, businesses…

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Rollei 6008 Professional Medium Format SLR Camera Review
2000 1125 James Tocchio

In 1976, Rollei released the SLX, a fully electronic medium format SLR to compete with Hasselblad’s famous machines. With a built-in light meter, automatic motor advance, and shutter-priority auto-exposure, it was in many ways a…

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Holga Medium Format Camera Review – Still Worth It, or Total Cliché?
2000 1125 Josh Solomon

A too-familiar plastic camera appeared in my friend’s hands after rummaging through his junk box. “I wasted too many rolls of film with this,” he said. “I figure you’ll be able to get something out…

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Featured Photophile No. 011 – Noah Smith
2000 2000 James Tocchio

Featured Photophile, our recurring segment showcasing talented amateur photographers is back with more photo inspiration for you. Today we’re spotlighting a shooter whose photos made me stop and think about the importance of composition and framing.…

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Ilford Delta 3200 Film Profile – The Fastest Black and White Film Available Today
2000 1125 Jeb Inge

Paranoid about passing through six airports and their dreaded x-ray machines with a bag of unprocessed film, I read some advice – toss in a roll of high-speed film to better justify getting a hand…

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Pentax 645 Camera Review – The Best Entry Level Medium Format Film Camera
2000 1334 Jeb Inge

The desire to jump into medium format photography is usually accompanied by visions of Hasselblads, Rolleiflexes, and the Contax 645. And that’s understandable – the first has pedigree, the second has cool factor, and the…

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We Go Hands On with FilmLab, a New App for Scanning Film with Your Smartphone
2000 1125 James Tocchio

Abe Fettig is looking to change the way many of us scan our film. “I feel like people really enjoy spending time in the dark room, but really don’t enjoy scanning.” The measured understatement was…

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Six Months with the Rolleiflex 2.8 D – Medium Format TLR Camera Review
1999 1331 Josh Solomon

After reviewing vintage cameras for a while, you tend to become distrustful of any camera or lens with a legendary reputation. All of us here at CP have stories of disappointment with well-regarded cameras. It’s not…

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