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Dylan makes the case for cheap manual focus telephoto lenses, and offers some tips on how to buy, shoot, and enjoy them.

James reviews the Nikon Nikkor Z 20mm F/1.8 S, the newest ultra-wide prime lens for Nikon Z series cameras.

Milo Krims sold their pristine Mamiya C330, bought a rather worn replacement, and was surprised by the quality of the images it made.

Cheyenne reviews the Konishiroku ( Konica ) Pearl IV, one of the last, and best, folding medium format film cameras to come out of Japan.

Sroyon reviews the Ihagee Exa, an early 35mm film SLR camera with plenty of weird quirks (and a nice suite of lenses!).

In today’s guest post, Matthias Jambon unravels the curse of the Hasselblad XPan (in the form of a camera review).

James reviews Nikon’s most exotic, enticing (and expensive) point and shoot 35mm film camera, the Nikon 28Ti.

Danielle profiles Lomography Lomochrome Purple, a trippy and mesmerizing film that creates incredible worlds of color.

In the era of ever-dwindling color film options, it’s nice to see new options emerging. Here’s one, Santacolor, a new film now crowdfunding.

Jim Graves profiles another great 35mm SLR camera for beginner film photographers – the Minolta Dynax 500Si Super.

Rich introduces us to the Sirui 50mm Anamorphic lens, and compares the images it makes with the infamous Hasselblad X Pan.

James explores the unclear origin of “f/8 and be there” and contemplates what the photographic mantra really means today.

The most iconic photographs of the 20th century were taken by the photographers of the Farm Security Administration (FSA).

Simply amazing photography inside.