5 Color Films That Cost Less Than Kodak Portra 400
Kodak Portra is getting expensive. In today’s article, Sarah Rizzo helpfully lists five alternatives to the most popular 35mm color film.
read moreKodak Portra is getting expensive. In today’s article, Sarah Rizzo helpfully lists five alternatives to the most popular 35mm color film.
read moreFilm photographer Han Phan chats with us about photography, her parents, portrait projects, and the rising costs of photography.
read moreCharlotte brings us (and their Olympus XA4 loaded with Kodak Portra) on a hike for charity through the Welch countryside.
read moreA visual feast of pastels and beach tones results when Juliet takes a Rolleiflex to Chincoteague, an island off the coast of Virginia.
read moreI discovered Sarah Stellino back in late 2020, and I instantly fell head over heels in love with her large format portrait work. So much so that I was inspired…
read moreLos Angeles-based photographer Nadja Amahn talks about her experiences as a film photographer, portraitist and creator of Black With Film.
read moreHemant brings a Nikon FM2n and a roll of Kodak Portra 160 along on a boat ride through an Indian national park.
read moreDanielle speaks with Nicole Small, a talented photographer whose pinhole portraiture and alternative process photos are simply stunning.
read moreStephen reviews the Canon FD 85mm F/1.2 L, a super fast prime portrait lens which has made 85mm his go-to focal length.
read moreJames shoots Minolta’s first and fastest manual focus prime lens, the Minolta MC Rokkor X 85mm F/1.7. Plus sample shots and a buyer’s guide.
read moreDrew shoots, compares, and muses over Portra 400 VC and Portra 160 NC, two formerly-loved and famously dead films from Kodak.
read moreThrough his most famous character’s lips, Arthur Conan Doyle once lamented “There is nothing new under the sun.” But he was wrong. Because I recently saw a photograph that was…
read moreWe’re back with another noteworthy lens, and this one’s a real legend for Nikon photographers of a certain age. If you were shooting film during the 1960s or in any…
read moreThere’s no such thing as a “perfect” film. Let’s just get that out of the way. Every shooter has different tastes regarding tone, color, grain, etc., but if ever a…
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