A guest post from a friend of the site pits the Nikon F4 against the Nikon F5, and questions whether cameras are only tools, or something more.
read moreSome of the CP writers pick the camera they’d buy if practicality and money were no concern! See what we chose, and let us know your Holy Grail camera in the comments.
read moreTake a trip with one of our writers, Hemant, as he explores an Indian flower market with a Nikon FM2n and Fujifilm C200 color film.
read moreOur man in Berlin, Jeb, shoots some Lomography 110 film through the Agfa Agfamatic 2008 Pocket Sensor, a compact 110 film camera.
read moreThe Canon AE-1 Program will make great photos easily, for any level of photographer. But it may be the best choice, specifically, for new photographers.
read moreKodak film loaded in a classic Kodak Retina, shot at the most magnificent national park in New England. Connor brings us on a journey of stillness.
read moreHow can a film camera change your digital photography for the better? Craig tells his story, and offers advice for those seeking a film/digital workflow.
read moreToday’s thought experiment – with so many industry leading cameras coming out of Japan and Germany, what are our favorites not made in those countries?
read moreDrew reviews the Contax 167MT, a full-featured 35mm film SLR from the glory days of the Japanese-made Contax cameras.
read moreThe weatherproof, sand and dust resistant Chinon Splash is so surprisingly excellent that it may be James’ sleeper point and shoot of the year!
read moreJosh dives into the history of Nikon’s first succesful amateur SLR camera, with details by model and which you should buy today.
read moreJames reviews the Canon MC, a point and shoot 35mm film camera from 1984 that’s all style and very little substance to today’s shooter.
read moreCheyenne reviews the Bolsey Model C, a unique 35mm film camera that’s both a rangefinder camera and a twin lens reflex camera!
read moreHamish Gill of 35mmc steps out of his rangefinder comfort zone and shoots the Leica R6.2. Here’s his review of this paradoxical SLR.
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