Hamish Gill of 35mmc steps out of his rangefinder comfort zone and shoots the Leica R6.2. Here’s his review of this paradoxical SLR.
read moreJames examines the Leica R8 of 1996, the first 35mm film SLR camera designed by Leica since 1974.
read moreThoughts on why the Mamiya 6 may be the perfect film camera for travel after a tour of a handful of America’s National Parks.
read moreThe Contax NX was among the last ever Contax 35mm film cameras. In our multi-user review, Drew and James share their thoughts on this sleek SLR.
read moreConnor reviews the Fujica GM670, a 6×7 version of Fuji’s famous medium format interchangeable rangefinder film cameras.
read moreJames reviews the Konica Tomato and the Konica Pop 10, a pair of simple 1980s 35mm point-and-shoot film cameras with style.
read moreOur own Jeb Inge visits sunny Lisbon, Portugal with a Minolta SRT 303b film camera and Kodak’s most vibrant film, Kodak Ektar 100.
read moreCheyenne tells us all about the Fujifilm Fujica Compact Deluxe, the last and most unusual 35mm rangefinder camera that Fuji ever made.
read moreDrew’s first foray into medium format came by way of the Mamiya 645 1000s on the rocky New England shores of Midcoast Maine.
read moreEquipped with a Kodak Retina and Ektar film, Connor explores the camera’s ancestral home of Rochester, New York, Kodak’s world headquarters.
read moreThoughts on the half frame film camera from Craig, and his experiences with the Canon Demi, the Konica EYE, and the Olympus Pen.
read moreJames reviews a unique 35mm film rangefinder camera from Minolta, the Minolta V2, the fastest leaf shutter rangefinder camera of its era.
read moreJames reviews the Konica Pop, a point-and-shoot camera from the 1980s that may just be the prettiest and worst camera he owns.
read moreJames reviews the Fuji G617, a wide-field camera that exposes massive 6×17 centimeter images on medium format film!
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