Featured Photophile, our recurring segment showcasing talented amateur photographers, is back. Today we’re spotlighting a wonderful shooter named Stéphane who’s created some amazing photos with two very distinctive cameras. But as we all know, the camera is only as…
read moreGuitarists have the Fender Stratocaster, soldiers the AK-47, and handymen the world over have WD-40. These products have become the standard bearers in their fields; tools of the trade that are so accomplished they need…
read moreWe’re back with another film profile, and since we’re smack in the middle of a series on home-developing black-and-white film we’ve decided to spotlight, you guessed it, a black-and-white film. But we won’t be messing…
read moreIt happens to the best of us. At some point in the photographic journey, every photo geek is going to run into a wall. Things get stale. You’ve been shooting the same subjects with the same…
read moreWe’re back with the second installment in our continuing feature on developing black-and-white film at home, and it’s time to get down to business. Are you ready? Let’s make sure. You’ve read Part One, yes?…
read moreThere’s no better way to connect with the very essence of the medium than by shooting black-and-white film, and while the C-41 process B&W films are at times excellent, our curiosity will inevitably get the…
read moreIt’s one of the questions we’re asked most often here at CP, across our social media accounts, and through our online shop. Every day, new shooters and experienced digital photographers ask us to help them choose their…
read moreWe’re back with another film profile to help you decide which film is right for you. In the past we’ve profiled two Kodak films that are still being produced today; the smooth-as-silk Kodak Ektar 100, and the invitingly…
read moreWe’re back with another film profile to help you decide which film is right for you. Last time, we talked about Kodak’s Portra 400, a warm and rich color film that we thought was a pretty…
read moreThere’s no such thing as a “perfect” film. Let’s just get that out of the way. Every shooter has different tastes regarding tone, color, grain, etc., but if ever a film could manage to be…
read moreIn the early days of mass-produced cameras, when a photographer talked about “the best” he invariably talked about Germany. This reflected a truth; Japanese cameras of the 1930s and ‘40s were in large part inferior…
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