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James reviews the Nikon Nikkor Z 40mm f/2, a high performance, compact, lightweight full-frame Nikon Z Mount lens that costs just $279.

James finally finds a true solution to the problem of scanning film – Nikon’s ES-2 Film Digitizing Adapter.

James reviews the Nikon Nikkor Z MC 50mm F/2.8, the standard prime macro lens for Nikon’s Z series cameras.

A long term user review of the Nikon F5, Nikon’s first modern, pro-spec, auto-focus 35mm film SLR.

James reviews the Voigtlander Nokton 40mm F/1.2 Aspherical, an ultra-fast manual focus prime lens for Nikon’s Z Series cameras.

Nikon offers two dedicated macro lenses in their Z Series lens range. Here we review the longer of the two, the Nikkor Z MC 105mm.

An errant swing of the hand, a tumble and a crash, a destroyed Nikon, and the real reason it hurts to lose a camera.

Here’s why the Nikon Z5 is the best value full frame mirror-less camera you can buy today.

Nikon’s ultra-wide rectilinear 15mm f/5.6 is a rare, wonderful, and (obviously) very wide lens that every Nikon fan should experience.

Sometimes things feel complicated, our brains and shelves get cluttered. At these times, getting back to basics can add some clarity.

James reviews the Nikon Nikkor Z 20mm F/1.8 S, the newest ultra-wide prime lens for Nikon Z series cameras.

James reviews Nikon’s most exotic, enticing (and expensive) point and shoot 35mm film camera, the Nikon 28Ti.

On Father’s Day, Nicholas takes an emotional journey with his Father’s Nikon.

Lately I’ve been scouring internet archives for old television commercials from our favorite camera and film brands. Enjoy!