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A low cost classic lens that makes images full of character. Here’s our review of the Minolta MC W Rokkor HG 35mm F/2.8.

Dylan compares the Minolta XE7 with a similarly designed Nikon from the same era.

Allysse reviews the Minolta SRT 303, a simple and effective 35mm film camera that’s suitable for those looking to learn.

Jim Graves profiles another great 35mm SLR camera for beginner film photographers – the Minolta Dynax 500Si Super.

Do you love Minolta cameras and lenses? Then have I got an article for you!

The Minolta AF-c is a tiny point-and-shoot film camera from the ’80s. Its sharp lens and compact form factor make it a great everyday carry!

Sroyon reviews the Minolta MD 28mm F/2.8, a lens which doesn’t typically get much praise among classic lens lovers.

Minolta’s final pro-spec swan song is one of the most advanced SLRs ever made, and more than Connor needs in a camera.

James reviews the Minolta RF Rokkor-x 500mm F/8 mirror-lens. History, specs, use today, and image quality within – Check it out!

Sroyon reviews the humble Minolta X-370s, and argues that this bargain-priced 35mm film SLR is perfect for beginners (or anyone, really).

Jeb reviews the Minolta Hi-Matic AF2, a 35mm point and shoot film camera from the dawn of the autofocus era.

James shoots and reviews the Minolta MC Fisheye Rokkor X 7.5mm F/4, the widest lens that Minolta ever produced.

James shoots Minolta’s first and fastest manual focus prime lens, the Minolta MC Rokkor X 85mm F/1.7. Plus sample shots and a buyer’s guide.

Our own Jeb Inge visits sunny Lisbon, Portugal with a Minolta SRT 303b film camera and Kodak’s most vibrant film, Kodak Ektar 100.