Canon MC Review – an ’80s Masterpiece that Fails Today

Canon MC Review – an ’80s Masterpiece that Fails Today

2560 1440 James Tocchio

The traditional aesthetic of cyberpunk as a sub-genre of science-fiction has remained largely unchanged since William Gibson’s Neuromancer of 1984 crystallized the genre; dystopian future, low-life characters, high tech trappings. But that was forty years ago. And while the low-life characters and dystopian themes in the fiction are as relevant as ever, some of the high technologies prophesied back then aren’t.

Take the well-known example in Neuromancer; Gibson’s favorite scene in the novel involves long banks of pay phones, their ringing bells ominously shadowing the protagonist as he stalks the city streets. In the novel’s year 2035, cell phones haven’t been invented. In ways like this, the aesthetics of Neuromancer (and the cyberpunk genre at large) remain mired in a future limited by the world as it was in 1984. That’s not necessarily a bad thing. It’s this very low-fi high-tech aesthetic that makes me love the novel and the genre. And this same aesthetic reminds me of the Canon MC.

A compact and expensive point-and-shoot 35mm film camera that incidentally released the very same year as Gibson’s Neuromancer, the Canon MC was indeed high tech in its own time. But just a few years after its release, let’s say by 1990, there were very few reasons for anyone to buy the Canon MC. For photo geeks today there’s really only one. It’s an aesthetically pleasing reminder of how far technology has come.

What is the Canon MC?

The Canon MC is a motorized, battery-powered, compact point-and-shoot 35mm film camera. Exposure control is automatic, with shutter speeds from 1/8 of a second to 1/500th of a second. Focus is automatic as well, using Canon’s trademarked CAFS (Canon Auto Focus System – a primitive automatic triangulation focusing system that the brand first used on their first point-and-shoot, the Canon AF35M of 1979). The lens is a 35mm F/2.8 prime comprised of four elements in four groups.

It’s got a manually retractable body cover, a self-timer, and an attachable accessory flash called the MC-S flash unit, with a guide number of 11 meters at ISO 100. ISO metering is manually set between 64 and 1000 ISO (though 800 ISO is missing). It weighs about 300 grams and is small enough to fit in the palm of a hand. Power is supplied by two AAA batteries, and there’s a strap attached to the right hand side of the camera.

The camera was originally packaged in a handsome cardboard box printed in classy, reserved tones. Within this box was a stylish clamshell display case with a luxurious felt bed in red with a gold Canon logo proudly emblazoned on the top. Upon this felt bed laid the Canon MC and its accompanying flash unit. It looked great then and it looks just as good today; very stylish. In 1984, this package would come with a price tag of $700 (adjusted for inflation). A steep price for a stylish piece of the future.

The Problems

Let me get this out of the way – the Canon MC is far from perfect. In fact, it’s one of the least reliable cameras I’ve ever experienced. In my position as owner and manager of a fairly popular camera shop I handle a lot more cameras than the average “professional camera liker,” and in the past six years of doing this job I’ve had more than fifty Canon MCs come through the shop. Of this number, only five have been functional enough to sell. That’s not a typo or an exaggeration to make a point. They really are that bad.

It’s a camera that’s prone to electronic failure, prone to mechanical failure, and on account of its power source (AAA batteries), prone to battery acid corrosion from improper storage. Though let’s be clear – even properly stored Canon MCs with dry and pristine battery compartments are just as likely to be dead on arrival.

Because of this unreliability I’ve long shied away from the Canon MC. I don’t seek them out for inventory in the store, and when they do come in I’m sure to rigorously test the very few that actually power up, and to continue testing them for weeks before finally listing them for sale. Even so, I sell them with trepidation. I don’t want to sell someone a lemon. Luckily the five that I’ve sold in five years haven’t yet been returned.

My reluctance around the Canon MC carried over to Casual Photophile for years – I didn’t want to write about the MC. When I finally decided to do so earlier this year, I was ready to hate it, to lambast the thing, and to tell my readers to steer well clear. The first Canon MC that I bought from a private seller for the purposes of this review died after one day of use. The second one, shown here, has survived a bit longer. I gave it a shot, my opinion hasn’t changed. And with one specific exception, I don’t suggest that anyone buy this camera.

Shooting the Canon MC

Using the Canon MC is as simple as film photography gets. Like many point-and-shoots of its kind, the user simply points and shoots. There’s no controlling anything, aside from manual setting of the ISO and activation of the self-timer. To make a photo we look through the relatively decent viewfinder, frame our image, and press the shutter release button. The camera does all of the work except in very specific situations.

The camera’s autofocus triangulation system is locked to the center of the frame, which means we’ll not be able to focus on any subject outside of the small box in the center of the viewfinder without tricking the system. To do this, we flick the self-timer switch on the top of the camera, frame our subject in the center of the frame, press the shutter release button, and then reframe the subject to our desired place off-center. We can then either wait for the ten second self-timer to trigger the shutter release or press the shutter release button a second time.

It’s also possible to over or under-expose our film via makeshift exposure compensation by setting the ISO to a value more or less sensitive than the native ISO of the film loaded in the camera. After which we can push or pull process our film to achieve various desired effects (increased contrast, better low light capability, etc.). There’s also, of course, the attachable accessory flash. Installing this onto the camera… allows us to use flash. Not much more to say about that.

The sliding lens cover actuates nicely, settling into its opened and closed detents with a surprisingly satisfying click despite its plasticity. The blinds which extend over the auto-focus triangulation sensors flick into and out of position with the same satisfying motion. The shutter release button is responsive and large. The autofocus and the automatic exposure systems work as well as they do in any other point-and-shoot camera from 1984 – which is to say that the Canon MC gets it right about 75% of the time.

The frame lines in the viewfinder have stationary parallax correction indicators, and a centered focus indicator. When the user presses the shutter release button and the camera makes a photo, an indicator in the viewfinder points to the general focus area (close, middle, far). This only happens after the photo has been taken, an annoying system that I first experienced in Canon’s earlier AF35M. It’s just as annoying here, since we don’t know if the focus has hit where we intended until after the exposure has been made.

Film advance and rewind are automatic, and both are abnormally loud. Film advance can be delayed by the user if desired. He or she simply presses the shutter release button and then holds it. The camera won’t advance to the next frame until the photographer releases the shutter button.

The camera is undeniably tiny. It’ll fit in tight pants pockets, jackets, and any car’s center console. This makes it a great travel camera, a portable point-and-shoot for party duty or fun times out with friends. If it doesn’t die.

The lens, a 35mm F/2.8 prime, is fine. Distortion doesn’t seem to present anywhere, though chromatic aberration will occur in high contrast areas with color film. There’s also notable vignetting and softness around the corners of the frame. A significant loss of contrast occurs when shooting directly into the sun. In addition, sunlight striking the front lens element will always cause noticeable flaring.

Color images made with the MC tend to be a bit low in contrast, resulting in images that look generally flat. This, combined with the relatively wide focal length, left me feeling that most of my color shots were dull and pointless. Boosting contrast and saturation in Lightroom helped get closer to acceptable final images. Shooting with black-and-white film seems to yield more interesting images from the Canon MC, for whatever reason.

On the spectrum of point-and-shoot image quality, the Canon MC isn’t a standout. It won’t make images that are better than a hundred other point-and-shoot cameras that I could name off the top of my head. It does a good job, for a point-and-shoot camera from 1984. But images from this lens don’t motivate me to forgive the camera’s criminal unreliability. Remember – these cameras hardly ever work. If yours does, I’m sorry to tell you this, but it won’t for long.

[Images in the sample gallery below were sent in by Matt Evans and are published here with permission. For what it’s worth, his MC is broken too (won’t focus to infinity – classic).]

Consumer Advice

There’s only one reason to buy a Canon MC today. It’s a nice camera for someone who loves the way it looks, and loves the way looking at it makes them feel. It’s a good camera for someone who collects cameras, and who loves his Sony Walkman DD with a broken gear, even if it only sits on a shelf in the office looking pretty; someone who regularly types on an iMac G4 because it was the fanciest computer he’d ever seen in 2002; someone whose favorite cars have an LCD digital dashboard; someone who genuinely prefers the dull green dot-matrix screen of the original Nintendo Game Boy to whatever Xbox Microsoft just announced. It’s a camera for someone who loves old tech, and forgives that tech for being so damn old. That person sounds a lot like me, but it might not sound like you (you might have better taste).

For half the price of a Canon MC we can buy any number of incredible point-and-shoot cameras from the 1990s or 2000s. And these cameras will bring more features, more user controls, better lenses, faster brains, and more reliability. Cameras like Pentax’s IQ series, the later Canon Sure Shots and Nikon One Touch cameras will work better, cost less, and importantly for a camera, make better pictures.

The Canon MC is a nice camera to own and to collect, to look at every now and then and to admire as an angular time capsule from an era of high technology that is, today, very low tech. It’s a beautiful object and a decent photographic tool, when it works. Problem is, they never work. What may be most telling of all about the Canon MC, is that the most fun I had with it was the hour that I spent shooting product photos of the camera for use in this article.

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James Tocchio

James Tocchio is a writer and photographer, and the founder of Casual Photophile. He’s spent years researching, collecting, and shooting classic and collectible cameras. In addition to his work here, he’s also the founder of the online camera shop

All stories by:James Tocchio
  • Merlin Marquardt April 3, 2020 at 8:21 pm

    An amusing article. 🙂

  • Great read thanks. I couldn’t help and think that this camera was inspired by an Olympus XA.

    • Thanks very much for your comment. I see this comparison in a lot of conversations around the MC, so I’ll add my thoughts here.

      It’s possible that the physical design of the MC was inspired by the Olympus XA, however there’s no functional comparison. The Canon MC is autofocus, autoexposure, auto wind, and terrible. The Olympus XA is a manual focus rangefinder (not a point-and-shoot as everyone seems to say), aperture-priority semi-auto exposure, and manual wind. The Olympus XA is also an incredible functional camera. Almost incalculably better than the MC, in my opinion.

      I know you probably knew all of this, but wanted to add it in for those reading who may not know.

  • Great article. Your summation of this camera takes the words straight from my mouth. It’s a wonderfully looking camera and one I so badly wanted to work, it just doesn’t.

    I’ve written about this camera twice and both times using two different cameras and while both were able to fire it’s shutter to “make images” both barely worked and never finished the roll without issues.

    Even the second one, that was in better shape and had no corrosion and seemed to be good when I got it, returned a roll of more than half the images badly exposed and out of focus, despite me doing everything I possibly could to make things easy on the camera. It’s almost like IT didn’t want to work either.

    For the benefit of your readers, if you want another early to mid 80s fully automatic point and shoot camera that is MUCH more likely to work, and can be usually found for cheaper, I strongly recommend the Pentax PC35AF.

    • Hey Mike! Thanks for reading and for sharing your links buddy! I believe you and of course your recommendation is valid, but I will also add that in my personal experience, the Pentax PC35AF and its derivatives are just as unreliable as the Canon MC. Again, that’s just my experience, but I could say all the same things about that Pentax – had about fifty come through, about five have worked completely, and I’ve stopped trying to find one for a review. I’m glad your experience with them has been better, but I’d still recommend countless other point and shoots over any of these early-80s models.

  • Feel better about throwing it away in a Baton Rouge trash can during banditofest last year. I tried. I really did. Broken flash when I paid $8 at an estate sale. Got 1.5 rolls out of it before it went kaput. Ended up using a super sure shot as my canon point n shoot. Quirky but just as easy to use and way more reliable. Good article on that one.

  • There is a law against using products meant for the future, as it would be an anachronism. In another reality Deckard is enhancing a detailed sector of a photo taken with a functional Canon MC : )

  • Never tell me the odds!

    Also, nice BMW m coupe/roadster(?)!

    • The odds of successfully finding a working Canon MC is approximately three-thousand, seven-hundred and twenty to one! (And it’s a Roadster – I can’t afford the M).

  • Picked up the take home message: I’ll make sure I never buy one…

  • Hey James,

    Thank you for this article. I really recommend you and all of my fellow photoGs the Minolta AF-C. In my opinion it is the best of all these XA clones (beside the XA itself). 6 elements in 6 groups, autofocus, manual film advance, if you have the ISO 1000 version, you hit the lottery.

    If you get the hands on one copy, go ahead and review it! It’s a nice piece!

    Best regards

  • Great article. Love all the cyber punk / Neuromancer mentions. Great photos for the article to.
    Keep up the good work lol.

  • I see a free one on facebook marketplace. Is it still worth picking up James?

    • See my comment below. Yes. Free is great for something that actually works great (until it doesn’t, but its the quality of the experience and results when it IS working that matters).

    • My dad says that anything free is worth buying.

  • I have 2 working ones that I’ve run about 10-12 rolls of film through, and I hope mine stay alive. Reliability question aside, on its merits this is , bar none, part of the holy trinity of 3 best small cameras that exist, the others being the Olympus XA and the Lomo LC-A. Not counting overpriced yashica t4 and contax t series. All three are the same small size — a pack of cigarettes. All the other cameras you like are bigger, and bigger is deal breaking, because then you might as well go for a Leica CL. Now — back to the point — why best? Because the lens is not only excellent but fast at f/2.8. Again, sorry, anything slower than that don’t cut it, because 2.8 is the 30th of a second and typical indoor room at night , ASA 400, threshold. May underexpose but still be usable. So you have a good fast as possible for class lens, the small size, and the autofocus, auto metering, and auto film advance are all adequate. SO: this is a best in class camera. Reliability issues? Knock on wood. Buy any time under $50 especially.

    • Exactly! I was surprised to read this article really, it seems very dooming for such anecdotal evidence. I have 3 Canon-MCs , one with a quartz date and have pushed several rolls off film through each of them. No issues whatsoever. The images are super good and comparable to a Mju II ! None had any issues, the batteries last long due to the optional external flash and all feel prestine to use. The only thing that bothers me is the lack of half-way shutter autofocus lock but I can live with that in a point and shoot.

      They sell as low as 30 dollars regularly and so far are as reliable than my Mjus and Nikon L35AFs. I always get them when they are cheap and sold as working – you can get multiple before you even get close to the astronomical prices of other very similar point and shoots.

  • Robert Mathieson June 21, 2020 at 8:09 am

    The MC was my first camera as a teenager in the late 80’s and took amazing crisp pictures for a few years before the door jammed. I got a bit nostalgic last year and got another off ebay, it worked and i got through half a role of film before the door jammed…

  • I was just looking at my copy of neuromancer the other day thinking I might read it again.

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James Tocchio

James Tocchio is a writer and photographer, and the founder of Casual Photophile. He’s spent years researching, collecting, and shooting classic and collectible cameras. In addition to his work here, he’s also the founder of the online camera shop

All stories by:James Tocchio